Music

In 1949, Gibson updated the L-4 by replacing the original round soundhole with f-holes, bringing its design closer to the iconic Gibson L-5.Around this time, Gibson also introduced the "C" designation for "Cutaway," leading to the creation of the L-4C—a cutaway version of the L-4, which quickly became popular among jazz guitarists.The L-4C remained a favored choice for jazz musicians throughout the mid-20th century, celebrated for its craftsmanship, playability, and distinctive sound. While it may not have achieved the same fame as the L-5 or ES-175, the L-4C holds a special place in jazz guitar history, offering an affordable alternative without compromising on sound quality.Today, the Gibson L-4C is considered a collector’s item, highly sought after by both guitarists and collectors for its historical significance, handcrafted construction, and contribution to the evolution of jazz music.Notable musicians who have used or are associated with the Gibson L-4C include Wes Montgomery, Barney Kessel, Johnny Smith, and Howard Roberts. These players helped establish the L-4C as a respected model within the jazz community, even if it didn’t achieve the iconic status of some other Gibson guitars. The L-4C’s warm, balanced tone and comfortable playability made it a reliable choice for these and many other jazz musicians.This particular guitar is a one-owner instrument, originally shipped in mid-November 1949 and intended for export, as indicated by the small "Made in the USA" stamp on the back of the headstock (distinct from the later "Made in USA" inscription).The original owner purchased it new in Brussels around 1950, likely from Persy, who was Gibson’s exclusive dealer at the time. Although not a professional jazz musician, he frequently played gigs at renowned venues in Brussels, such as the Hotel Metropole. We even have a complete handwritten list of all the venues he played between 1957 until 1965 (total 166 dates). A copy will be provided to the new owner as family will keep the original list as a souvenir.He used the guitar until he passed away a few years ago, after which it was stored in a closet by his godson, who has now decided it's time to pass it on to a new guitarist who will appreciate it.The guitar is in very good original condition, featuring a rhythm chief DeArmond pickup from the 1960s (pickup is rewound). The only modifications are a professional refret and a replacement pickguard, as the original had nearly disintegrated.We also have a photo of the owner with the guitar from 1969, which you can see here.The guitar has recently undergone a setup and is ready to be played for the next decade.Serial number : A4124Fon number : 1977 28

The Gibson Jumbo is renowned for its pronounced bass and great projection, making it a preferred choice for acoustic guitar enthusiasts seeking a robust and dynamic sound. Initially released in the 1930s, this model has endured as a staple in the world of acoustic guitars.