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Le Roland Jupiter-6 est un synthétiseur analogique polyphonique qui a marqué l'âge d'or de la synthèse dans les années 80. Avec son design emblématique, le Jupiter-6 offre une sonorité riche et chaleureuse grâce à ses six voix de polyphonie. Doté de deux oscillateurs par voix, de filtres résonants et de fonctionnalités de modulation avancées, il a su séduire les musiciens par sa palette sonore étendue. Le clavier de 61 touches et la polyvalence du Jupiter-6 en ont fait un choix apprécié dans divers genres musicaux, de la new wave au synth-pop.Restauré par nos soins pour la vente, disponible immédaitement Fonctionne en 200V. - Upgrade tauntek installée- Condensateurs électroyltiques neufs pour toute la machine- Potentiomètres et sliders neufs- Pile neuve et import des patchs d'usines- Calibration complète- Nettoyage intégral ( ext / int)Le prix d'expédition dépendra de votre localisation géographique, contactez-nous pour une estimation.Nos prix sont TTC, une facture et certificat de restauration seront fournis pour la venteN'hésitez pas pour toute question.-------------------------------------------------------------------------------------------------------The Roland Jupiter-6 is a polyphonic analog synthesizer that left its mark during the golden age of synthesis in the 1980s. With its iconic design, the Jupiter-6 delivers a rich and warm sound thanks to its six-voice polyphony. Featuring two oscillators per voice, resonant filters, and advanced modulation capabilities, it captivated musicians with its expansive sonic palette. The 61-key keyboard and the versatility of the Jupiter-6 made it a beloved choice across various musical genres, from new wave to synth-pop.Operates on 200V.Restored by us prior to the sale, available immediately - Complete change of electrolytic capacitors - Complete change of potentiometers & sliders - Calibration - Complete cosmetical cleaning- Tauntek upgrade installed- New battery & factory patches loaded Shipping price will depend on your geographic location, contact us for an estimate.Our prices include VAT (20%) for EU customers, an invoice and restoration certificate will be provided for the saleDo not hesitate to PM us for any questions.

The Roland Jupiter-6, introduced in 1983, is one of the seminal analog synthesizers of the 1980s, renowned for its versatile sound and robust build. Part of Roland's prestigious Jupiter series, the Jupiter-6 is often overshadowed by its more famous sibling, the Jupiter-8. However, it stands out on its own merits, offering a distinctive set of features that have cemented its place in synthesizer history. One of the key attributes of the Jupiter-6 is its six-voice polyphony. Each of its six voices has two oscillators, providing a rich and complex sound palette. The oscillators can generate a variety of waveforms, including sawtooth, triangle, and square waves, as well as noise. This dual-oscillator architecture allows for intricate detuning and fat, layered sounds, which are a hallmark of the Jupiter-6's lush sonics. The Jupiter-6's filter section is particularly noteworthy. It includes a multimode filter, a rarity at the time, offering low-pass, high-pass, and band-pass modes. This multimode capability allows for a broad range of sound shaping options, from the warm, resonant sweeps of a low-pass filter to the more cutting and precise characteristics of a high-pass filter. The resonance control can push the filter into self-oscillation, adding another layer of sonic potential. In terms of modulation, the Jupiter-6 is equipped with a comprehensive set of tools. It features two LFOs (low-frequency oscillators) that can modulate various parameters, including pitch, filter cutoff, and amplitude. The LFOs offer multiple waveforms, including sine, triangle, square, and random, enabling complex and evolving soundscapes. Additionally, the synthesizer has envelope generators for both the filter and the amplifier, allowing for precise control over the attack, decay, sustain, and release (ADSR) of each sound. The Jupiter-6 also includes an arpeggiator, a staple of 1980s electronic music. The arpeggiator can be synchronized to an external clock, making it ideal for creating rhythmic patterns and sequences that lock in with other gear. Its versatility extends to the keyboard, which is splitable, allowing players to assign different sounds to different sections of the keyboard, a feature that expands its live performance capabilities. MIDI implementation is another significant feature of the Jupiter-6. As one of the first synthesizers to incorporate MIDI, it offers extensive connectivity with other MIDI-equipped instruments and sequencers. This made it a valuable tool for both live performances and studio production, where it could be integrated into larger setups and controlled via MIDI, paving the way for the interconnected electronic music environments that followed. The build quality of the Jupiter-6 is robust, typical of Roland's engineering standards at the time. Its interface is laid out logically, with a dedicated control for each function, making it intuitive and user-friendly. This hands-on approach is favored by many musicians who appreciate the immediacy and tactile nature of the controls. Despite being less celebrated than the Jupiter-8, the Jupiter-6 has found a dedicated following among synthesizer enthusiasts and musicians. Its unique sound, versatility, and reliable performance make it a sought-after instrument in the used market. Over the years, it has been used by numerous artists across various genres, from electronic and pop to rock and experimental music. In conclusion, the Roland Jupiter-6 is a remarkable synthesizer that combines rich analog sound with extensive modulation options and early MIDI capabilities. Its six-voice polyphony, multimode filter, and robust build quality make it a versatile and reliable instrument for both live and studio use. The Jupiter-6's distinctive sound and hands-on interface continue to inspire musicians and producers, ensuring its legacy in the world of electronic music.