Books

First edition of this travel work, � which belongs in the same category as Lawrence� s books on Italy, Greene� s on West Africa and Pritchett� s on Spain� (New Statesman). Octavo, original cloth, cartographic endpapers. Boldly signed by V.S. Naipaul on the title page. Name on the front free endpaper and stamp on the half-title page, near fine in a near fine dust jacket. Jacket design by William Belcher. In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies� "countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending. In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart� s appearance with cries of � That is man!� He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France� s routes nationales. And throughout he relates the ghastly episodes of the region� s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers. � Naipaul travels with the artist� s eye and ear and his observations are sharply discerning" (Evelyn Waugh).

A classic piece of travel literature, 'The Middle Passage' by V.S. Naipaul captures the essence of the Caribbean societies in the early 1960s through the author's sharp observations and evocative prose. Having won the Nobel Prize in Literature, Naipaul pens a narrative that is both deeply personal and universally resonant, providing a unique window into a world of post-colonial identity.