Second edition of Copernicus's revolutionary work, first published in 1543. This edition adds Rheticus's Narratio prima, the first printed exposition of Copernican theory, in which Rheticus introduces the concepts of his mentor's heliocentric model. The Narratio prima was published separately in 1540 and was not included in the first edition of De revolutionibus.
Although it proved to be the most important scientific work published in the 16th century and a "landmark in human thought" (PMM), De revolutionibus orbium coelestium, Libri VI ("Six books concerning the revolutions of the heavenly orbs") was not widely recognized at first. Copernicus had delayed publication of his major astronomical work since its completion in 1530 and only allowed it to be published in the year of his death. His change of heart was at the prompting of the young mathematician and astronomer, Georg Joachim Rheticus (1514-1574), who was Copernicus's only pupil and the chief advocate of his teacher's new theory. Rheticus persuaded Copernicus to allow him to publish the Narratio prima to test the waters. This is its third appearance in print, following the first of 1540 and a pirated edition printed at Basel in 1541. Already familiar with the scientific publishing of Johann Petreius at Nuremberg, Rheticus delivered Copernicus's manuscript to Petreius in 1542 and acted as the book's editor and proof-reader.
This second edition was published in Basel in the famous printing shop owned by
Second edition of Copernicus's revolutionary work, first published in 1543. This edition adds Rheticus's Narratio prima, the first printed exposition of Copernican theory, in which Rheticus introduces the concepts of his mentor's heliocentric model. The Narratio prima was published separately in 1540 and was not included in the first edition of De revolutionibus.
Although it proved to be the most important scientific work published in the 16th century and a "landmark in human thought" (PMM), De revolutionibus orbium coelestium, Libri VI ("Six books concerning the revolutions of the heavenly orbs") was not widely recognized at first. Copernicus had delayed publication of his major astronomical work since its completion in 1530 and only allowed it to be published in the year of his death. His change of heart was at the prompting of the young mathematician and astronomer, Georg Joachim Rheticus (1514-1574), who was Copernicus's only pupil and the chief advocate of his teacher's new theory. Rheticus persuaded Copernicus to allow him to publish the Narratio prima to test the waters. This is its third appearance in print, following the first of 1540 and a pirated edition printed at Basel in 1541. Already familiar with the scientific publishing of Johann Petreius at Nuremberg, Rheticus delivered Copernicus's manuscript to Petreius in 1542 and acted as the book's editor and proof-reader.
This second edition was published in Basel in the famous printing shop owned by Henricus Petrus in an edition of between 500 and 600 copies. It follows the Nuremberg edition closely in terms of format, typography, font, and initials used. It has the same title, although the design of the title page - featuring an ornamental, almost baroque, woodcut - is more elaborate. The text of Rheticus's Narratio prima is preceded by an introductory letter, written by Achilles Gasser (1505-1577), in which the mathematician recommends Narratio prima to his friend, the philosopher and physician Georg Vogelin of Konstanz.
There was no other printing of De revolutionibus until the third edition of 1617, published in Amsterdam, by which time the persecution of Giordano Bruno and Galileo had shown the church's opposition to the spread of Copernicus's dangerous cosmology.
In his census of the 1543 and 1566 editions, Owen Gingerich locates 322 copies of the second edition, making it only slightly less rare than the first.
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Small folio (280 x 187 mm): [¶]6 a-z4 A-2F4 Gg6; 220 leaves, ff. [vi], 213, [1] (blank but for printer's device). Handsomely rebound to style in full calf decorated in gilt. Housed in a brown quarter morocco solander box by the Chelsea Bindery.
Woodcut printer's device to title, illustrated with woodcut text diagrams. Roman type, with occasional Greek.
Seventeenth-century inscription in Italian on front free endpaper, near-contemporary shelf mark (?) below, old library stamp skilfully removed from cleaned title page, occasional contemporary marginalia. Intermittent foxing and light browning, heavier to a couple of gatherings, small damp-stain to upper margin of a couple of leaves in gatherings c-e, still a very good copy.
Adams C-2603; Cinti 48; Gingerich, An Annotated Census of Copernicus' De Revolutionibus, p. 206; Houzeau & Lancaster 2503; see Printing and the Mind of Man 70 for the first edition.