agent
Peter Harrington
100 Fulham RoadLondonSW3 6RSUnited Kingdom
visit agent websiteMore Books from this agent
Green Hills of Africa Ernest Hemingway
Autobiographical
Non-fiction
Travel Literature
USD$3,699

Description

First edition, first printing, of the author's recollection of his 1933-34 big-game hunting trip in Tanganyika, in modern-day Tanzania. "Mixing humor, flashbacks, literary pontification, and self-exposure with his fable on aesthetics, Hemingway once again wrote outside the reception range of the critics" (ANB). It includes literary reminiscences and sharp criticism of other writers. This copy is in Grissom's jacket C (no priority), with the green band on the rear panel not encroaching on the text of a shortened blurb. It was serialized in Scribner's Magazine between May and November 1935. The book edition was published in October. Octavo. Original green cloth, spine lettered in gilt on black ground, spine decorated in gilt, facsimile of the author's signature stamped on front cover in gilt. With dust jacket. Line drawings by Edward Shenton. Spine and edges lightly faded, as usual, internally fresh. A near-fine copy in slightly rubbed and creased dust jacket, price-clipped, one short closed tear and couple of tiny chips, soiling to rear panel, the green colours still bright, very good indeed. Czech, African Big Game 1785 to 1950, 74; Grissom A13.1.a; Hanneman A13.

About Green Hills of Africa

Ernest Hemingway’s "Green Hills of Africa" offers readers a glimpse into the renowned author's African safari, blending adventure, reflection, and the natural beauty of East Africa. Published in 1935, this non-fiction work chronicles Hemingway's month-long hunting expedition in December 1933, revealing a side of the writer driven by his passion for the wild and his relentless pursuit of big game. The heart of "Green Hills of Africa" lies in Hemingway's detailed accounts of hunting. With a keen eye for detail and an unfiltered narrative style, Hemingway immerses readers in the thrill of tracking and hunting kudu, rhinoceros, and lions. His prose, as always, is straightforward yet rich with vivid imagery, bringing the African landscape to life in a way that only Hemingway can. Beyond the hunt, Hemingway's deep appreciation for nature shines through his descriptions of the African plains and hills. The grandeur of the landscape and the diversity of its wildlife are portrayed with a sense of awe and reverence, making the book as much about the environment as it is about the adventure. Interwoven with the excitement of the hunt are Hemingway's reflections on writing and literature. He delves into his own creative process and discusses the works of other authors, offering insights into his literary philosophy. These reflections provide a fascinating contrast to the rugged outdoor narrative, revealing Hemingway’s intellectual side and his contemplations on the art of storytelling. Hemingway's encounters with the local people, including his guides and trackers, add another layer to the narrative. Through these interactions, he provides a glimpse into the cultural dynamics of colonial Africa, enriching the reader’s understanding of the time and place. "Green Hills of Africa" is divided into four parts, each exploring different facets of the safari experience. The journey begins with "Pursuit and Conversation," setting the scene and introducing the characters. "Pursuit Remembered" recounts the hunting experiences and the challenges faced. In "Pursuit and Failure," Hemingway reflects on the disappointments and setbacks, offering a candid look at the emotional and psychological aspects of the hunt. The final part, "Pursuit as Happiness," captures the moments of success and fulfillment, celebrating the joy found in the adventure. This book stands out as a unique piece in Hemingway's body of work, blending travel writing, memoir, and philosophical reflection. It provides an intimate glimpse into Hemingway's life, showcasing his love for adventure and the natural world. "Green Hills of Africa" remains a testament to Hemingway's descriptive power and his ability to explore complex themes through the lens of personal experience.