Books

Warner Bros. Pictures, 1949. Rare collection of eight original Warner Brothers promotional lobby cards for the 1949 film The Fountainhead, based on the bestselling novel by Ayn Rand and starring Gary Cooper and Patricia Neal. Each of the eight cards measures 11 inches by 14 inches and is numbered 49/330 in the lower right corner. In fine condition. Matted and framed. The entire piece measures 48 inches by 32 inches. Directed by King Vidor, and starring Gary Cooper and Patricia Neal, The Fountainhead premiered at Radio City Music Hall on July 2, 1949. For the film's Warner Hollywood Theatre premiere, Warner Bros. erected two banks of bleachers on Hollywood Boulevard to accommodate the expected mob of fans. Ayn Rand wrote the screenplay for the film adaptation herself, but later criticized the editing, production design and acting. Sales of Rand's novel increased following release and despite mixed critical reception at the time, the film has endured as a cultural touchstone,…

"The Fountainhead" by Ayn Rand, published in 1943, is a novel that delves into the philosophical concepts of individualism, integrity, and the conflict between creativity and conformity. The story revolves around Howard Roark, an ambitious and talented architect with a unique vision for innovative designs. Roark embodies uncompromising individualism and refuses to conform to societal expectations or compromise his artistic integrity. He believes in creating buildings that reflect his artistic vision rather than pandering to popular architectural trends. As Roark faces the challenges of the architectural world, his unconventional approach draws criticism and opposition from traditional architects and critics. His refusal to adhere to established conventions leads to rejection from architectural firms and clients who prefer safer, more conventional designs. Despite these setbacks, Roark remains steadfast in his commitment to his principles. The novel contrasts Roark’s individualism with Peter Keating, an architect who succeeds by conforming to popular tastes and compromising his artistic integrity. Keating is conventional, willing to sacrifice his own beliefs and ideas to gain social approval and advancement in his career. Dominique Francon, an independent and complex woman, becomes entangled in Roark’s life. Initially skeptical of Roark’s ideas, she becomes fascinated by his integrity and strength of character. Their relationship undergoes various challenges due to Dominique’s inner conflicts and societal pressures. Enter the character of Ellsworth Toohey, a critic who represents collectivism and mediocrity. Toohey seeks to manipulate public opinion and destroy individualistic ideals, advocating conformity and suppressing true talent. The novel culminates in a dramatic trial where Roark defends his artistic integrity against society’s attempts to stifle his individualism. He passionately argues for the right of the creator to maintain control over their work without compromising their vision for the sake of societal norms or approval. Through Roark’s unwavering dedication to his principles, Ayn Rand illustrates her philosophy of objectivism, advocating for individualism, rational self-interest, and the pursuit of personal excellence. "The Fountainhead" serves as a vehicle for Rand’s beliefs in the importance of individual creativity and integrity, and it continues to provoke discussions about the role of the individual in society, the nature of artistic expression, and the conflict between individualism and collectivism.