Books

New York: The Viking Press, 1957. First edition of Kerouac's classic novel. Octavo, original black cloth. Near fine in a near fine dust jacket with a closed tear and light rubbing to the extremities. Jacket design by Bill English. A nice example. The raucous, exuberant, often wildly funny account of a journey through America and Mexico, Jack Kerouac's On the Road instantly defined a generation on its publication in 1957: it was, in the words of a New York Times reviewer, "the clearest and most important utterance yet made by the generation Kerouac himself named years ago as 'beat.'" Written in the mode of ecstatic improvisation that Allen Ginsberg described as "spontaneous bop prosody," Kerouac's novel remains electrifying in its thirst for experience and its defiant rebuke of American conformity. In his portrayal of the fervent relationship between the writer Sal Paradise and his outrageous, exasperating, and inimitable friend Dean Moriarty, Kerouac created…

Jack Kerouac's 1957 novel "On the Road" is an emblematic portrait of the Beat Generation, capturing the yearning for freedom and authenticity against postwar American conformity. This semi-autobiographical work, based on the adventures of Kerouac and his friends across America, is often seen as a defining work of the countercultural movements of the 1950s and 60s. It chronicles the cross-country voyages of Sal Paradise, Kerouac’s alter ego, and Dean Moriarty, a free-spirited, charismatic rebel. "On the Road" is structured around several trips made by Sal and Dean, describing their escapades as they travel back and forth across the country. These journeys are less about the destinations and more about the experiences they gather, the people they meet, and the quest for meaning in a society perceived as rigid and materialistic. The narrative style of the book, known for its spontaneous, stream-of-consciousness prose, mirrors the tumultuous, impulsive lives of its characters. The novel not only explores physical journeys but also personal and spiritual ones. Dean's frenetic energy and Sal’s introspective nature contrast sharply, yet both characters are united in their disdain for conventional values. They indulge in jazz, poetry, and drug use—exploring alternative forms of consciousness and relationships.