Books

New York: B.W. Huebsch, 1916. First edition. [iv], 299, [1] pp. 1 vols. 8vo. Publisher's blue cloth, stamped in gilt on spine and in blind on front cover. Some rubbing spine ends, and slightly on corners, one scratch to front cover near spine, not affecting blind stamp; very clean internally. First edition. [iv], 299, [1] pp. 1 vols. 8vo. First edition of Joyce's autobiographical novel, recounting the schooldays and emerging artistic consciousness of his alter-ego Stephen Dedalus. The novel was refused by Grant Richards (publisher of Dubliners), Secker, and Edward Garnett for Duckworth. Finally B.W. Huebsch agreed to take on the book, if Harriet Weaver, who had serialized the novel in The Egoist in 1914, would arrange for 750 copies to be published in London. It was published first in New York by Huebsch on 29 December 1916 and then in London on 22 January, with the American sheets and a cancel Egoist title-page. Slocum & Cahoon A11

"A Portrait of the Artist as a Young Man" by James Joyce is a bildungsroman that chronicles the intellectual, emotional, and spiritual development of Stephen Dedalus. The novel is divided into five chapters, each representing a different phase in Stephen's life. In the early chapters, Joyce portrays Stephen's formative years in a strict Catholic environment. He grapples with the conflict between religious devotion and burgeoning individualism. Stephen's experiences at Clongowes Wood College and Belvedere College expose him to the harsh realities of authority, conformity, and social expectations. As Stephen matures, he becomes increasingly disillusioned with the rigid dogmas of the Catholic Church. His intellectual awakening leads to a rejection of religious constraints and a pursuit of artistic expression and self-discovery. Throughout the narrative, Stephen grapples with guilt over his perceived sins, especially his sensual desires and lapses in religious devotion. His internal struggles are depicted with introspective depth, as he grapples with conflicting emotions and the tension between societal norms and personal freedom. The novel culminates in Stephen's departure from Ireland, symbolizing his rejection of the confines of his homeland, both religiously and artistically. He seeks to forge his own identity as an artist, embracing the idea of self-exile to achieve intellectual and creative independence. Joyce's prose employs stream-of-consciousness technique, offering readers insight into Stephen's inner thoughts and emotional turmoil. Through vivid and evocative language, he captures the intricacies of Stephen's mind as he grapples with his evolving beliefs and desires. "Portrait" is a groundbreaking work that explores themes of identity, alienation, religion, and the pursuit of artistic integrity. It stands as a seminal example of modernist literature, challenging traditional narrative structures and delving into the complexities of human consciousness. Joyce's masterpiece remains a significant contribution to literature, celebrated for its innovative style and profound exploration of the artist's journey toward self-realization and autonomy.

The first edition of "A Portrait of the Artist as a Young Man," encased in blue cloth and printed by B.W. Huebsch in New York, bears the copyright date "1916" on its page, devoid of subsequent printings. It has a creamy colored dust jacket.