Books

New York: Charles Scribner's Sons, 1935. First edition of Hemingway's second work of nonfiction, an account of a month on safari he and his wife took in East Africa during December 1933. Octavo, original green cloth, decorations by Edward Shenton. Near fine in a bright very good dust jacket. A nice example. Green Hills of Africa was published in 1935, but initially appeared in Scribners Magazine the same year (Meyers, 1985). The first edition explains that Hemingway "attempted to write an absolutely true book to see whether the shape of a country and the pattern of a month's action can, if truly presented, compete with a work of the imagination." The author's intentions were quickly confirmed when the first print-run sold a popular 10,500 copies, and it was aptly praised by The New York Times as "[a] fine book on death in the African afternoon...The writing is the thing; that way he has of getting down with beautiful precision the exact way things look, smell,…

Ernest Hemingway’s "Green Hills of Africa" offers readers a glimpse into the renowned author's African safari, blending adventure, reflection, and the natural beauty of East Africa. Published in 1935, this non-fiction work chronicles Hemingway's month-long hunting expedition in December 1933, revealing a side of the writer driven by his passion for the wild and his relentless pursuit of big game. The heart of "Green Hills of Africa" lies in Hemingway's detailed accounts of hunting. With a keen eye for detail and an unfiltered narrative style, Hemingway immerses readers in the thrill of tracking and hunting kudu, rhinoceros, and lions. His prose, as always, is straightforward yet rich with vivid imagery, bringing the African landscape to life in a way that only Hemingway can. Beyond the hunt, Hemingway's deep appreciation for nature shines through his descriptions of the African plains and hills. The grandeur of the landscape and the diversity of its wildlife are portrayed with a sense of awe and reverence, making the book as much about the environment as it is about the adventure. Interwoven with the excitement of the hunt are Hemingway's reflections on writing and literature. He delves into his own creative process and discusses the works of other authors, offering insights into his literary philosophy. These reflections provide a fascinating contrast to the rugged outdoor narrative, revealing Hemingway’s intellectual side and his contemplations on the art of storytelling. Hemingway's encounters with the local people, including his guides and trackers, add another layer to the narrative. Through these interactions, he provides a glimpse into the cultural dynamics of colonial Africa, enriching the reader’s understanding of the time and place. "Green Hills of Africa" is divided into four parts, each exploring different facets of the safari experience. The journey begins with "Pursuit and Conversation," setting the scene and introducing the characters. "Pursuit Remembered" recounts the hunting experiences and the challenges faced. In "Pursuit and Failure," Hemingway reflects on the disappointments and setbacks, offering a candid look at the emotional and psychological aspects of the hunt. The final part, "Pursuit as Happiness," captures the moments of success and fulfillment, celebrating the joy found in the adventure. This book stands out as a unique piece in Hemingway's body of work, blending travel writing, memoir, and philosophical reflection. It provides an intimate glimpse into Hemingway's life, showcasing his love for adventure and the natural world. "Green Hills of Africa" remains a testament to Hemingway's descriptive power and his ability to explore complex themes through the lens of personal experience.