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One of the most precious books in the West. The Brunet copy was sold for 6 600 F Or,a book of bibliophily being negotiated then from 6 F Or. " The tallest copy to be offered in over 50 years. " " First edition of one of the finest illustrated books of the German Renaissance.This allegorical poem celebrates the exploits and heroic deeds of Emperor Maximilian represented as Theuerdank, as he overcomes the difficulties on his journey to win his bride, Mary of Burgundy, Konigin Ernreich in the poem. It forms part of a trilogy, along with Weisskunig and Fredsal, elaborating Maximilian's life, but Theuerdank was the only one to be published during the emperor's lifetime. " The largest complete copy recorded (height 375 mm). Nürnberg, 1st March 1517. Pfintzing, Melchior / Maximilien Ier. Theuerdank.Die geuerlicheiten und einsteils der Geschichten des loblichen streytparen und hochberümbten helds und Ritters Herr Tewrdannckhs. At end (A8vo) : Gedruckt in der Kayserlichen Stat Nürnberg…

"Theuerdank" is an epic poem that stands as a monument to chivalric romance, commissioned by none other than the Holy Roman Emperor Maximilian I. Authored by Melchior Pfinzing at Maximilian's behest, this literary work was published in 1517, embodying the ideals, ambitions, and the persona of the emperor himself. The narrative, rich in allegory and symbolism, recounts the adventurous journey of its eponymous hero, Theuerdank (a thinly veiled representation of Maximilian), as he overcomes various perils to win the hand of his betrothed, Princess Ehrenreich (symbolizing Mary of Burgundy). This essay explores the thematic depth, historical context, and literary significance of "Theuerdank," highlighting its role in the propagation of Maximilian's legacy and its standing in the canon of early modern European literature. "Theuerdank" is more than just a chivalric epic; it is a carefully crafted piece of Habsburg propaganda, designed to glorify Maximilian's reign and his personal virtues. Melchior Pfinzing, the principal author, was a cleric and a close confidant of Maximilian, who meticulously wove the emperor's real-life exploits and aspirations into the fabric of the narrative. The text is accompanied by a series of woodcuts, attributed to the likes of Hans Burgkmair and Leonard Beck, among others, which are as integral to the work as the prose, providing visual dramatization of Theuerdank's journey and trials. The narrative structure of "Theuerdank" follows the hero's quest motif, a staple of chivalric literature, but imbues it with a complexity that mirrors the political and personal challenges faced by Maximilian himself. The perils that Theuerdank encounters are allegorical representations of the obstacles Maximilian navigated in his own life, including political alliances, warfare, and the quest for dynastic marriage. The hero's ultimate triumph is a metaphor for Maximilian's successful marriage to Mary of Burgundy, a union that expanded Habsburg influence and laid the groundwork for the future European hegemony of the Habsburg dynasty. "Theuerdank" occupies a unique place in the history of European literature. It is among the last major works of the chivalric tradition, a genre that would soon give way to the humanist and realist narratives of the Renaissance. Its publication, featuring innovative typography and an unprecedented integration of text and woodcut illustrations, represents a milestone in the history of the printed book. Furthermore, "Theuerdank" is a testament to the power of literature as a tool for political and personal myth-making. Through its pages, Maximilian I immortalized his idealized self-image and political vision, crafting a legacy that would endure well beyond his reign.