Books

In -8�, IV, 5-456, ritratto dell'autore all'antiporta. Legatura editoriale in tela puntinata con incisione cieca ai due piatti e titolo in oro al dorso. Raro esemplare della prima tiratura della terza edizione (la prima intesa per il commercio) della monumentale raccolta di Whitman, che rispetto all'edizione precedente, di trentadue composizioni, ne aggiunse pi� di cento, oltre a rivedere testi e titoli di quello che aveva in precedenza stampato a proprie spese. Sono presenti il ritratto di Whitman al frontespizio (un'incisione di Stephen Alonzo Shoff da un olio di Charles Hine), e il il nome dello stampatore sul verso del frontespizio ("Electrotyped at the Boston Sterotype Foundry. Printed by George C. Rand & Avery"). Notevole la legatura originale: ne erano state prodotte in vari colori e questa � la versione arancione / terracotta, che sul dorso oltre al titolo reca la farfalla sul dito che ritroviamo spesso come ornamento lungo il testo. Cfr White, William. "Walt Whitman: A Bibliographical Checklist". Walt Whitman Quarterly Review 3 (Summer 1985), 28-43.A rare copy from the first run of the third edition (i.e. the first conceived to be put in commerce), in his original binding.

"Leaves of Grass" by Walt Whitman, first self-published in 1855 and revised and expanded in subsequent editions throughout Whitman's life, is a groundbreaking collection of poems that revolutionized American poetry and literary form. At its core, "Leaves of Grass" is a celebration of life, individuality, democracy, and the vastness of the American experience. Comprised of numerous poems, including the iconic "Song of Myself," this collection embodies Whitman's belief in the essential unity of all things and his celebration of the human body and spirit. Whitman's poetry rejects traditional rhyme and meter, opting instead for free verse and a more colloquial, conversational style. His lines often have a musical, rhythmic quality that reflects the ebbs and flows of life itself. The collection is a reflection of Whitman's exuberance for life, exploring themes of nature, love, spirituality, and the human condition. "Song of Myself," perhaps the most famous poem within "Leaves of Grass," is an expansive and inclusive work that encapsulates Whitman's philosophy of the interconnectedness of all people and the celebration of individual identity. It embraces the diversity of America, celebrating people from all walks of life, backgrounds, and experiences. Throughout the collection, Whitman embraces the body and soul, viewing them as interconnected and essential parts of humanity. He celebrates the physical world, the senses, and the human form without reservation, emphasizing the beauty and significance of each individual. Moreover, "Leaves of Grass" evolves over time, with Whitman adding new poems and revising existing ones in later editions. The work serves as a testament to Whitman's evolving perspectives on life, society, and the human experience. Whitman's bold and unapologetic portrayal of the self and the world marked a departure from conventional poetry of his time. His work was controversial for its explicitness and its celebration of the human body and sexuality. However, it also heralded a new era in American literature, influencing generations of poets and writers and leaving a lasting impact on the trajectory of poetic expression and American identity. Through "Leaves of Grass," Whitman aimed to capture the essence of America and the spirit of its people in all their complexity and diversity.