Signed limited edition, number 25 of 37 copies, signed by Jeremy Wilson. This is a parallel text version of the 1922 Oxford text and the 1926 final publication of Seven Pillars of Wisdom. The tortuous publishing history of Seven Pillars reflects the complexities of its author. On returning from the Versailles Conference, at which his ambitions for a Middle East settlement recognizing the legitimate ambitions of the Arabs had been thwarted, Lawrence set about writing his book to enshrine what he saw as the personal and geopolitical truth. His first draft, completed by November 1919, was lost at Reading Station. The second he burned, retaining only a single leaf. Finally, two more years of writing produced his third draft in 1922, of which he had eight copies printed at the offices of the Oxford Times. This became known as the "Oxford text". Two of the most significant literary readers of this version were Robert Graves (who was unhelpfully scathing) and E. M. Forster, whose more measured and constructive counsel helped Lawrence towards a complete revision and an entirely new mindset regarding the appropriate production standards that should be employed. This process culminated in the publication of the definitive 1926 text of Seven Pillars, first issued in the lavish edition known as the Cranwell or Subscriber's Edition. Yet the editorial influence of Lawrence's literary mentor, E. M. Forster, and other advisers in the production of his masterpiece had been largely hidden, principally because the 1922 text was not in the public domain. This led Jeremy and Nicole Wilson to the decision to publish this brilliant scholarly edition of both texts in 1997. The two versions are placed in parallel with one another, to allow easy comparison between them. The third volume is made up of the colour plates from Seven Pillars and half-tone photographs of Lawrence and his exploits. This edition comprises 20 copies in quarter goatskin and 15 copies in cloth, with two copies reserved by the publisher. Three vols, quarto. Vols. I & II: original black cloth, spines lettered in gilt, black endpapers; Vol. III: original light brown cloth, spine lettered in gilt, pictorial endpapers. Housed in original maroon cloth slipcase. Colour portrait frontispiece and 123 plates (30 colour, 20 double-page) in vol. III. Light foxing to all three volumes; slipcase marked, worn along bottom, offsetting internally: a very good set.