First UK edition, number 329 of 500 copies. This is the 100th edition of Grahame's classic, originally published in 1908.
Rackham's illustrations first appeared in the Limited Editions Club edition. "During his last illness Rackham worked on illustrations to... The Wind in the Willows, a book for which he had a strong affection, and which he had longed for years to illustrate. The resulting pictures (the edition was published posthumously in 1940) are among his most affecting works, replete with wit, invention, and carefully controlled emotion" (ODNB).
Milne writes in his introduction, "One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character... When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself."
In 1921, the literary agent Curtis Brown suggested Milne write a dramatized version, and Milne responded that "I shall love doing it". Toad of Toad Hall became, as noted by Thwaite, "a regular Christmas treat for children". Indeed, it is now "the only Milne play that is still regularly produced". A review in the Daily Telegraph reckoned that the success of the play was that "the Wild Wood of Mr Grahame's book is
First UK edition, number 329 of 500 copies. This is the 100th edition of Grahame's classic, originally published in 1908.
Rackham's illustrations first appeared in the Limited Editions Club edition. "During his last illness Rackham worked on illustrations to... The Wind in the Willows, a book for which he had a strong affection, and which he had longed for years to illustrate. The resulting pictures (the edition was published posthumously in 1940) are among his most affecting works, replete with wit, invention, and carefully controlled emotion" (ODNB).
Milne writes in his introduction, "One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character... When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself."
In 1921, the literary agent Curtis Brown suggested Milne write a dramatized version, and Milne responded that "I shall love doing it". Toad of Toad Hall became, as noted by Thwaite, "a regular Christmas treat for children". Indeed, it is now "the only Milne play that is still regularly produced". A review in the Daily Telegraph reckoned that the success of the play was that "the Wild Wood of Mr Grahame's book is evidently only a mile or two away from the Forest in which dwell Mr Milne's own creations, Winnie-the-Pooh and the rest".
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Tall octavo. Original full white calf, spine lettered in gilt, top edge gilt, other edges untrimmed. With original publisher's slipcase with printed label on front board.
Colour frontispiece and 11 colour plates mounted on captioned leaves, black and white illustrations in the text, all by Rackham.
Tears to head of spine, slight soiling to binding as usual, slight browning to free endpapers, gatherings unopened, slipcase worn at extremities and soiled; a very good copy in like slipcase.
Riall, p. 200. Ann Thwaite, A. A. Milne. His Life, 1990.