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Description

First edition, trade issue, one of 500 copies printed; a further 50 copies were also issued on handmade paper. An attractively bound copy, with the bookplate to the rear pastedown of the eccentric sportsman and artist William Eden (1849-1915), father of future Prime Minister Anthony Eden, and who, like Wilde, had a dispute with the artist James McNeill Whistler. Eden excelled at a range of sports from boxing and horse riding to shooting, "the epitome of the sporting squire" (ODNB), a member of several clubs and well known in London society. So too was he a keen amateur artist and aesthete, building a fine collection of paintings, and was a member of the aristocratic group The Souls. The contrast between the sportsman and the aesthete has been noted: "There was little that was harmonious in his nature, and the aesthetic side warred with and exacerbated, rather than complemented, his athleticism, making him a bored sportsman and a militant aesthete. As he grew older, the world's failure to correspond to his ideals drove him to furious rages and the debased taste of humanity confirmed his atheism - for how could a God have made such a botch of things?" (ibid). His dispute with Whistler was occasioned when Eden commissioned a portrait of his wife, which Whistler executed, but then kept the cheque without handing over the painting, leading to a legal case which resulted in Whistler's book The Baronet and the Butterfly (1899). Wilde too had a lengthy rivalry with Whistler, First edition, trade issue, one of 500 copies printed; a further 50 copies were also issued on handmade paper. An attractively bound copy, with the bookplate to the rear pastedown of the eccentric sportsman and artist William Eden (1849-1915), father of future Prime Minister Anthony Eden, and who, like Wilde, had a dispute with the artist James McNeill Whistler. Eden excelled at a range of sports from boxing and horse riding to shooting, "the epitome of the sporting squire" (ODNB), a member of several clubs and well known in London society. So too was he a keen amateur artist and aesthete, building a fine collection of paintings, and was a member of the aristocratic group The Souls. The contrast between the sportsman and the aesthete has been noted: "There was little that was harmonious in his nature, and the aesthetic side warred with and exacerbated, rather than complemented, his athleticism, making him a bored sportsman and a militant aesthete. As he grew older, the world's failure to correspond to his ideals drove him to furious rages and the debased taste of humanity confirmed his atheism - for how could a God have made such a botch of things?" (ibid). His dispute with Whistler was occasioned when Eden commissioned a portrait of his wife, which Whistler executed, but then kept the cheque without handing over the painting, leading to a legal case which resulted in Whistler's book The Baronet and the Butterfly (1899). Wilde too had a lengthy rivalry with Whistler, out of the courts, but with very public sparring. READ MORE Small quarto (204 x 148 mm). Early 20th-century pink straight-grain morocco for Hatchards of Piccadilly, spine lettered in gilt, pink cloth sides, marbled endpapers, top edge gilt, pink silk page marker. Bound without initial blank. A few pencilled lines in margins. Spine lightly sunned, very light rubbing at extremities, slight split in hinge preceding dedication leaf, contents clean; an excellent copy. Mason 364.

About A Woman of No Importance

A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It explores themes of English upper class society and highlights the double standards between men and women during the Victorian era.