London: Hogarth Press, 1929. First Edition. First Impression, trade issue, one of 3,040 copies. Octavo (18.25cm); cinnamon cloth-covered boards, with titles stamped in gilt on spine; dustjacket; [4],5-172pp. Subtle offsetting to gutters at endpapers, else a fresh, Fine copy. In the original dustjacket designed by Vanessa Bell; unclipped (priced 5s.), with a barely discernable trace of sunning to the spine, and a tiny (4mm) closed tear at upper front joint; a bright, very Near Fine example. Housed in a custom quarter morocco clamshell case. An extended essay in which Woolf contemplates the paradoxical situation of the woman artist functioning in a world run by men, based on two lectures she delivered at Newnham and Girton colleges at the University of Cambridge in October, 1928. A landmark text of feminist literature that has become part of our vocabulary. While it is a virtual certainty that the 492-copy signed limited edition will turn up in Fine condition, that is not the case…